What were the methods technically?

I realized gain for even the lowest output cartridges to be able to get the most information out of the grooves.

Carefully selected special tin foil capacitors are building the passive Filter network.

I took a discrete zero feedback Class A FET output stage to let the phono stage drive any cable connected to the output.

An absolutely overdimensioned power supply with an isolating transformer and chokes on the secondary side is keeping away noise, grunge and grain.

A one-block massive milled aluminum case shields the sensible signals and acts as a heatsink. The design of the Silver Cube t will not get out of fashion, simple and pure to please the eyes.

So sometimes dreams really do come true...